There was a time when I used to dread my daily commute to work. I felt it was a drain on my time, precious hours spent doing nothing. But somewhere along the way, I made my peace with it. After all, the choice to live in a metro does come with its own share of compromises.
But this morning, after over 6 years of negotiating Bangalore’s crazy traffic morning and evening, I discovered that I actually enjoy my commute.
It is time I get to spend away from distractions, alone with myself. Some days, I put down a to-do list. On others, I think up ideas for work. But most of the time, I look around me – at the people, the places I pass through. I take the same route every single day and some sights are so familiar, my eyes glaze over them. But any little change, any sight unseen as yet, makes me sit up and think – why the brown and grey dog who sleeps in front of the mall isn’t there today, a new billboard that’s come up near the flyover, a dum biryani shop that’s not open at its usual time…
Looking out of the cab window, I remember RL Stevenson’s poem From A Railway Carriage. Though the element of speed is missing (again, namma trafficku!) the similarities are not lost on me.
Here is a cart run away in the road
Lumping along with man and load;
And here is a mill and there is a river:
Each a glimpse and gone for ever!
Looking out of the cab window feels like looking through a bioscope. I see fascinating snatches of the lives of strangers and trees, but never the full picture. And as the cab moves on, I am left to imagine the story so far and what could lie ahead.
A little boy with a large, oddly-shaped piece of thermocol board, possibly from the packaging of a washing machine or TV, waiting to cross the road. He tries once, twice, falls back, hops on one foot in impatience. A man on a scooter slows down for him and he runs lithely across, and in one swift motion, hits his friend on the head with the thermocol piece. The friend spins around and I see that he has his own weapon in hand, a 2-litre soft drink PET bottle. And there by the roadside wages a war so ferocious, the earth shakes under the heroes’ feet.
On the steps in front of an appliance repair shop lie the Four Musketeers. Four brown dogs so identical, they must be from the same litter. Every day, they lie in a row, each one’s head resting against the next one’s bum. Four little curled-up balls, sticking together against the world.
A married couple in their thirties quarreling loudly. She says something to him and tuns away. I cannot make out the words, but I gather that it is a variation on “Go to hell!” As she walks away, he runs after her, swings her around and kisses her on the cheek. She is confused, embarrassed, delighted, all at the same time. As he grins at her cheekily and walks away, she shouts after him. Once again, I can make out that the words say “Go to hell!”. But this time, they mean something else.
A tenement of makeshift houses with roofs made of tin and tarpaulin. Men, women, children, goats, and dogs live together happily, tripping over each other, shouting across the walkways raucously. The women squat by the roadside, washing their clothes and chatting. An old man sleeps on a wooden plank supported on granite planks. A dog is stretched out near him. A toddler wearing no underwear stands near the dog, knocking him on the head with a plastic bottle. For a second, I wonder if it’s safe. What if the dog is hurt and he hurts the child? Before I can decide, the toddler stops. And the dog sits up and extends his paw towards him, as if to say, “Hey, why did you stop! Let’s play!” and I realize they are brothers.
A banyan tree near a temple, its branches spreading luxuriously, benevolently across the road. A makeshift bench beneath it, on which sit two old men in white shirts and mundus. One of them has a towel around his forehead. The other wears a turban. One of them has no teeth, his cheeks are sunken. The other is weatherbeaten, his cheeks reddish brown from too much sun. One’s moustaches are long and drooping, framing his lips on either side. The other chews paan constantly. They sit there next to each other in companionable silence, two of a kind from afar. I wonder when I grow old, how many banyan trees there will be left in Bangalore.
A man near a petty shop urging a black and white dog to eat the dozen biscuits he has put down in front of her. The dog is clearly not hungry – she wags her tail happily and sits there, staring up at him. In an injured tone, he complains to his companions about her lack of gratitude.
Life, so beautiful, so magical, teeming all around me. And I marvel at what I would have missed if not for my daily commute.